I have written here in the past about my unparalleled admiration for the comic art of Steve Ditko and my affection for the work of Jack Kirby, but what you see here is probably my favorite comic book cover of all time: TALES OF SUSPENSE #79. The artist was Gene Colan, who took over the "Iron Man" feature from Don Heck sometime earlier and gave the character unsuspected depts of suavity and grace. What I love about this cover is the dramatic contrast between two super beings -- one who needs protective covering to live, and the other who flaunts his own bare skin as an armor -- as the former is caught up against the wall with a patch of his own bare skin vulnerably exposed.
While it's not perfect, I greatly enjoyed the new film version of IRON MAN with Robert Downey, Jr.; it's probably my favorite of Marvel Entertainment's filmed origin stories to date, and it promises to become one of their most successful movie franchises. One of its few disappointments is that Gene Colan's name is missing from its long list of creative credits because, for me and many other Marvel readers of my generation, Gene "The Dean" Colan was Iron Man. He gave a once clunky character a dimension of streamlined gladiatorial majesty that went significantly beyond even what Jack Kirby had summoned to earlier TALES OF SUSPENSE covers, a dimension that somehow made the armor transparent enough to suggest the spirit of Tony Stark striving within it. That aspect of Iron Man is often visible in the screen character's body language and, whenever I see it, it's clearly stamped Gene Colan -- everywhere except on the screen.
My reason for going into all this is that I awoke today to internet reports that Mr. Colan is not well; his liver is failing him. Writer Clifford Meth, with the approval of Gene's wife Adrienne, is organizing a fund-raising auction over at his Everyone's Wrong and I'm Right blog and seeking auctionable signed books, art and other goods from any professional willing to contribute. I know that quite a few professionals in different branches of the entertainment world read this blog regularly, so I'm doing what I can to get the word out. If you can, please contribute work. If you can't, please follow the auction and bid.
My best wishes to Gene Colan, and my thanks for many years of some of the most exciting comic art I've ever marvelled to. (I loved his blue Stilt Man in DAREDEVIL, too...)