Steve Reeves and Gordon Scott in DUEL OF THE TITANS.
Evidently Scott and Weintraub didn't get along, and Scott was subsequently replaced in the Tarzan role by the leaner, almost-ten-years-older Jock Mahoney. Scott's friend Steve Reeves arranged for Scott to star opposite him in the Sergio Leone-penned saga of Romulus and Remus, released here in the States as DUEL OF THE TITANS. My childhood memory of the publicity campaign attending this release was the closest thing to having two demigods descend from Olympus: "Giant Against Giant!" Movies simply didn't get any bigger. Remember, this was before King Kong had met Godzilla, and the spectacle of two colossal men engaged in battle on the widescreen was virtually unprecedented. It turned out to be a good movie too, in which Scott gives what may well be the performance of his career as a hero who, poisoned with jealousy of his brother, turns villainous.
Scott's introduction into Italian filmmaking sustained him through the remainder of a sadly dwindling career, but he made good films there. He assumed the role of Maciste in (renamed for America) GOLIATH AND THE VAMPIRES and SAMSON AND THE 7 MIRACLES OF THE WORLD (directed by Riccardo Freda, a worthy follow-up to his best Tarzan movies), and THE LION OF THEBES, CONQUEST OF MYCENAE and the unfortunately named but fabulous ZORRO AND THE THREE MUSKETEERS. He drifted into Italian spy pictures just before the end of his career, making his last screen appearance in 1967.
I've heard gossip about Scott's Italian years that describe him as the wildest of a wild pack, and gossip of more recent vintage that held that alcoholism, reckless living, and a preference for a footloose lifestyle had conspired to harm Scott's career and destroy his personal life. Certainly the beer-bellied, ballcap-wearing man seen at autograph shows over the past 10-15 years bore no resemblance to the mythic figure Scott had formerly been. I wanted very much to devote an issue of VIDEO WATCHDOG to an in-depth interview with him, as I considered him a great star, but somehow we could never get a proper commitment, perhaps because he was unsure where he was going to be from one month to the next. I still want to do my Gordon Scott issue someday, but now it will have to be in the manner of a career appreciation.
Hollywood rise and fall stories are a dime a dozen. If the story of Gordon Scott seems especially tragic, it is because he achieved such incredible heights of heroism on the silver screen and left us with such indelible memories of intelligent virility and confidence. He was a Tarzan that Edgar Rice Burroughs would have recognized as his own, and been proud of.
I blogged about Gordon Scott last year, and I can only hope that someone showed him my words of appreciation. I remain ever hopeful that the best of his films will someday make it to DVD -- if Paramount is reading this, you own the TARZAN'S GREATEST ADVENTURE and TARZAN THE MAGNIFICENT, so what's the holdup?
Sadly, Gordon Scott is now gone... so bring on the Gordon Scott!