Showing posts with label Keith Emerson. Show all posts
Showing posts with label Keith Emerson. Show all posts

Wednesday, February 24, 2010

Get Rondo-ized!

"Don't hurt that Rondo, Rondo!" VW publisher Donna Lucas takes a protective stance outside the auditorium where the 6th Annual Rondo Awards were held at WonderFest in 2008.

In an effort to spread awareness of VIDEO WATCHDOG's various nominations for the the 8th Annual Rondo Awards, Donna and I (with the approval of our writers) have decided to make available -- for a limited time -- the complete texts of the four nominees for this year's Best Magazine Article award.

Stephen R. Bissette's "Let the Twilight In", an in-depth study of TWILIGHT and LET THE RIGHT ONE IN, can be read here.

Eric Somer's "Down the Block from Bergman: THE LAST HOUSE ON THE LEFT and Beyond," an examination of the influence of Ingmar Bergman's THE VIRGIN SPRING on Wes Craven's THE LAST HOUSE ON THE LEFT, the recent remake, and other horror films, can be read here.

Kim Newman's "DVD Spotlight: MYSTERY AND IMAGINATION, a detailed history of the 1966-70 British TV terror anthology, can be read here.

And Shaun Brady's "Weird Scenes Inside the Fun House: The Making of MALATESTA'S CARNIVAL OF BLOOD," a production history of the 1972 Pittsburgh-made surrealist horror film, can be read here.

And here is a link to a special Rondo link page now added to our website, which also features direct links to a five-part HD video of my Q&A with INFERNO star Irene Miracle and composer Keith Emerson, which has been nominated for Best Fan Event.
Also, please don't forget to consider any of our many hard-working contributors for your vote in the Best Writer and Best DVD Reviewer categories, and remember that both our cover artist Charlie Largent and our art director Donna Lucas (whose layouts make VW's feature articles soar) are eligible in the Best Artist category.

Friday, October 23, 2009

A Night in the Infernal Spotlight

Your faithful blogger poses outside the New Beverly Cinema with Irene Miracle and Keith Emerson, the respective star and composer of Dario Argento's INFERNO.
Photo (c) by Lee Christian. All other photos (c) by Tim Lucas.
Before the screening, a group of 22 attended a private dinner at India's Oven, a restaurant just a few doors down from the theater. Excellent food! Here Irene poses at table with her good friend of 30 years, VARIETY reporter and screenwriter F.X. Feeney.

DVD producer Perry Martin (who supervised my audio commentaries for Anchor Bay's MARIO BAVA COLLECTION sets) joined us for dinner with his charming wife Kelly Ann.

THE BOOK OF LISTS: HORROR author Scott Bradley generously hosted the dinner, much appreciated by all!

Irene poses with both sides of a special souvenir postcard that she produced as a giveaway item to all INFERNO attendees. Each card was personally autographed and promoted her recent directorial debut, DAWNLAND.

Author John Skipp (center) listens in as documentarian Howard S. Berger (right) invited Keith Emerson (left) to participate in his in-progress film about legendary music producer Joe Meek. In the background, Peter Avellino.

Your faithful blogger with his favorite Argento heroine.

The New Beverly marquee.

Irene basks in the opening night glory she missed in 1980, when INFERNO bypassed US theatrical release altogether.

Tim, Irene and Keith pose for more than a half-dozen photographers outside the theater following the screening.

And who should I discover standing outside in the fog but two of the event's front row attendees: FEAST director John Gulager and his legendary actor dad, Clu Gulager (RETURN OF THE LIVING DEAD)!

Allison "Nekromistress" Grace poses in the evening fog with her copy of an original vinyl pressing of Keith Emerson's INFERNO soundtrack, freshly signed by Keith and Irene!

Irene Miracle poses with a special "Three Mothers" bouquet gifted her by three friends Amy Wallace, Scott Bradley and Tim Lucas. The bouquet featured three of each flower.