Joe Sarno attending a 2006 screening of ABIGAIL LESLEY'S BACK IN TOWN. |
1960-1968 may sound like a narrow field of exploration but it actually covers some 35 films, more movies than most directors get to make in a lifetime. The second volume - which I plan to call THE GREATEST ANIMAL ACT ON EARTH (a phrase used in his 1964 magnum opus SIN IN THE SUBURBS) - will actually cover fewer titles at the same depth, maybe 24, focusing primarily on his softcore work and some transitional hardcore features that warrant consideration with his best and most effective work. I’m only going to cover the dozens of hardcore quickies he made in the 1980s in a chapter of thumbnails, because Joe took no pride in them and frankly they don’t interest me either.
Dividing his oeuvre at this juncture will allow the second book to begin with Joe and Peggy’s nearly two-year stint in Sweden and Denmark, where and when they made a number of important pictures, including THE SEDUCTION OF INGA. Had I stuck with my original plan, I’d have to open Book 2 with HORN A PLENTY (presently unavailable) and THE YOUNG EROTIC FANNY HILL (a movie Joe disliked), which would not be so energizing.
So, no one could be more surprised, but I find my rough draft for Book 1 - close to 500 single-spaced pages - now suddenly in hand. The next step, of course, is to look it all over carefully and determine how much of this first half of the job is done.
(c) 2019 by Tim Lucas. All rights reserved.