
Overwork and a serious health scare related to a dear friend (I'm relieved to say that his surgery appears to have been a success) have taken the wind out of me, and consequently my blogging sails, of late. I've just finished the bulk of my work on VIDEO WATCHDOG #140, so this is my week between issues to concentrate on viewing and reviewing for the next issue or two. I'm currently working on a lengthy review of the long-awaited DVD premiere of the Peter Cushing-Christopher Lee classic THE SKULL (finally on DVD in its original Techniscope screen ratio) and making my way through Flicker Alley's extraordinary box set GEORGES MELIES - FIRST WIZARD OF THE CINEMA, as well as attending to some shorter reviews. One of these will be devoted to the first volume of cartoons from the PINK PANTHER spin-off series THE INSPECTOR, for which I have discovered a heretofore unsuspected love. Cartoons with titles like "Cirrhosis of the Louvre" and "Napoleon Blown-Apart" -- what's not to love?
For those who are wondering, copies of VIDEO WATCHDOG #139 -- our exciting DOCTOR WHO issue -- were shipped out last Thursday and Saturday to our subscribers and retailers. First class subscribers will either have them now, or very soon.
Finally, in case you (like me) had to miss the first public screening of Joe Dante's THE MOVIE ORGY last week at the New Beverly Cinema, there is primo vicarious info to be had from Glenn Erickson's DVD Savant, the blogs Sergio Leone and the Infield Fly Rule and Mr. Peel's Sardine Liqueur, and also from this Variety report by Peter Debruge. Everyone is describing it as a tremendous and privileged cinephilic experience, and talking up the "Dante's Inferno" retrospective screenings in general as one of the great cultural events of the year. Atta boy, Joe!